Browse Items (1986 total) Browse All Browse by Tag Search Items Previous Page of 40 Next Page Sort by: TitleCreatorDate Added Nathan Hatton and Michael Bradford admire the windows for columns H-K, displayed in the studio’s windows Richard McLean Natalie Smith, Joshua Wirtz, & Charlie Ottis paint glass in front of columns J and H displayed on the lightboard Richard McLean Cameron Oscarson and Nick Lawyer lift up panel J-1 for display against the wall lightboard in the paint room Richard McLean Finished frames stacked while the glue hardens (2) Richard McLean Finished frames stacked while the glue hardens (1) Richard McLean Daniel and Michael Bradford clean and polish the finished stained windows Richard McLean Michael Bradford, Matt Manwaring, Cameron Oscarson, and Daniel Bradford work on insulating the finished windows Richard McLean Dark patina on the lead surface Richard McLean David Bradford helps with the cleaning process Richard McLean Hannah Bradford applies plaster on a freshly cemented window to help the cement cure & dry quickly (2) Richard McLean Hannah Bradford applies plaster on a freshly cemented window to help the cement cure & dry quickly (1) Richard McLean Whiting powder Richard McLean A visit from UVU president Matthew Holland Richard McLean A gentle reminder of a project’s due date Richard McLean An encouraging note from Nathan Richard McLean The lyrics to the sea shanty “Padstow’s Farewell” Richard McLean Doug Soelberg and Jil Rich solder the lead running between the glass pieces Richard McLean Nathan Hatton and Venustiano Gregorio solder together the lead lines in panel N-2 Richard McLean James Graham, Brent Best, and Curtis Graham solder the lead for the very detailed panel V-1 (in the background is artist Mary Evans) (2) Richard McLean James Graham, Brent Best, and Curtis Graham solder the lead for the very detailed panel V-1 (In the background is artist Mary Evans) (1) Richard McLean The leading process (6) Richard McLean The leading process (5) Richard McLean Venustiano Gregorio hammers in nails to secure the lead lines of panel K-2 Richard McLean The leading process (4) Richard McLean The leading process (3) Richard McLean The leading process (2) Richard McLean The leading process (1) Richard McLean Tim Trent inserts a shaped steel support to be soldered to the window for added support Richard McLean Tim Trent shapes a steel support to be soldered to the window for added support (The machine came from a candy company & was used to shape cookie cutters and candy molds) (2) Richard McLean Irina Harding, Michelle Wayman, Mary Evans, and Tom Holdman add the remaining pieces of finished glass to panel U-3 Richard McLean Antonio di Donato and Katie Christiansen examine the finished glass pieces for panel K-3 Richard McLean Tom Holdman inspects the glass for panel M-3 Richard McLean Antonio di Donato, Shae Anderson, Tom Holdman, Michelle Wayman, Dallin Orr, and Jordan Lee Ring (seated) inspect painted glass laid out for panel M-3 Richard McLean Shae Anderson, Antonio di Donato, Michelle Wayman, Tom Holdman, Dallin Orr, and Jordan Lee Ring (seated) inspect painted glass laid out for panel M-3 Richard McLean Pieces of painted glass for the Q column await firing in the kiln Richard McLean Artist Julie Ann Allen paints glass that will become part of the T column Richard McLean An artist writes the letters of advertisement posters on the Parisian kiosk, panel U-3 Richard McLean Artist Jordan Lee Ring paints pieces of glass depicting birds for panel N-2 Richard McLean The public gallery at Holdman studios, being utilized as an annex to the paint room (In order to meet the completion deadline, the studio hired people to work around the clock to finish the windows on time) Richard McLean Artist Natalie Smith works on the portraits for the Founding Fathers featured in panel Q-3 Richard McLean Artist Joshua Wirtz uses an airbrush to apply a coat of paint to a piece of glass Richard McLean The airbrush station, where containers of paint and alcohol are kept between uses Richard McLean The Photoshop layouts of columns T & V hang in the paint room, referred to by the artists when painting the glass Richard McLean Artist Jordan Lee Ring uses Reusche paint to paint the Karlskirche (St. Charles Church) in Vienna on glass, while looking at its Photoshop image for visual aid Richard McLean An artist paints details of buildings with Reusche paint on glass pieces for panel O-2 Richard McLean Artist Irina Harding applies Reusche paint for a portrait of Benjamin Franklin for panel Q-3 Richard McLean Artists Kaitlund Zupanic (background center) and Brianna Cooper (foreground) apply Reusche paint to glass pieces Richard McLean Artist Antonio di Donato paints a portrait of Marco Polo in Reusche paint for panel M-2 Richard McLean Artist Antonio di Donato shows his sketch of a man pouring molten metal, used as a reference for painting the glass for panel H-3 Richard McLean The paint room, where artists paint pieces of glass that have been placed on lightboards for best visibility Richard McLean Previous Page of 40 Next Page Output Formats atom, csv, dc-rdf, dcmes-xml, json, omeka-json, omeka-xml, rss2
