Browse Items (1986 total) Browse All Browse by Tag Search Items Previous Page of 40 Next Page Sort by: TitleCreatorDate Added Trevor Petersen, conceptual artist, painter and historian at Holdman studios, drafts concept art for a storyboard for panel V-3 Holdman Studios Tom Holdman and his son T. J. sketch out the concept art for the final column (Z) in the Roots of Knowledge Richard McLean Designer Nick Lawyer uses Photoshop to create the imagery used in panel O-3 (Above his head is the mind map with a timeline of world history) Richard McLean Mind map with a timeline of world history (1) Richard McLean Storyboard sketches, columns T and U Richard McLean Mind map with a timeline of world history (2) Richard McLean Hand-drawn graphite sketches of columns C-F Richard McLean Tom Holdman and Kerry Transtrum discuss a graphite drawing of the Tree of Hope in column Z Richard McLean Designer Riley Horn works on images for panels Q-2 and Q-3 Holdman Studios Designer Nick Lawyer works on panel W-1 Holdman Studios The approved template was printed onto a big sheet of paper Richard McLean Shapes outlined with colored markers Richard McLean Vinyl sticker layout sheet Richard McLean Martha Denzer peels the pattern off a vinyl sticker layout sheet (1) Richard McLean Martha Denzer peels the pattern off a vinyl sticker layout sheet (2) Richard McLean Tim Trent & Preston Powell prepare a sheet of plate glass to be used for tracing the lines of a window design Richard McLean The traced layout for panel O-2 rests on a lightboard, ready for pieces of colored glass to be laid out Richard McLean The traced layout for panel K-1, ready for pieces of colored glass to be laid out Richard McLean The traced layout for panel M-2 on a table, ready for pieces of colored glass to be laid out Richard McLean Choosing glass colors (1) Richard McLean Daniel Bradford unloads a sheet of raw glass Richard McLean Choosing glass colors (2) Richard McLean Nathan Hatton grinds glass on a lightboard Richard McLean Bryce Johnson cuts glass, sticker paper visible Richard McLean Josh Butz grinds down a piece of glass to smooth the edges and help it fit more easily Richard McLean Trevor Petersen, Tom Holdman, and T. J. Holdman view the layout of colored and painted glass Richard McLean Raw colored and textured glass laid on panel templates (1) Richard McLean Raw colored and textured glass laid on panel templates (2) Richard McLean Tom Holdman, T. J. Holdman, and Kerry Transtrum discuss options for fused glass to create the planets seen in the Roots of Knowledge windows Richard McLean Raw colored and textured glass laid on panel templates (3) Richard McLean Raw colored and textured glass laid on panel templates (4) Richard McLean The paint room, where artists paint pieces of glass that have been placed on lightboards for best visibility Richard McLean Artist Antonio di Donato shows his sketch of a man pouring molten metal, used as a reference for painting the glass for panel H-3 Richard McLean Artist Antonio di Donato paints a portrait of Marco Polo in Reusche paint for panel M-2 Richard McLean Artists Kaitlund Zupanic (background center) and Brianna Cooper (foreground) apply Reusche paint to glass pieces Richard McLean Artist Irina Harding applies Reusche paint for a portrait of Benjamin Franklin for panel Q-3 Richard McLean An artist paints details of buildings with Reusche paint on glass pieces for panel O-2 Richard McLean Artist Jordan Lee Ring uses Reusche paint to paint the Karlskirche (St. Charles Church) in Vienna on glass, while looking at its Photoshop image for visual aid Richard McLean The Photoshop layouts of columns T & V hang in the paint room, referred to by the artists when painting the glass Richard McLean The airbrush station, where containers of paint and alcohol are kept between uses Richard McLean Artist Joshua Wirtz uses an airbrush to apply a coat of paint to a piece of glass Richard McLean Artist Natalie Smith works on the portraits for the Founding Fathers featured in panel Q-3 Richard McLean An artist at a miniature lightboard uses paint mixed with oil to add lines on glass for panel M-1 The public gallery at Holdman studios, being utilized as an annex to the paint room (In order to meet the completion deadline, the studio hired people to work around the clock to finish the windows on time) Richard McLean Artist Jordan Lee Ring paints pieces of glass depicting birds for panel N-2 Richard McLean An artist writes the letters of advertisement posters on the Parisian kiosk, panel U-3 Richard McLean Artist Julie Ann Allen paints glass that will become part of the T column Richard McLean Pieces of painted glass for the Q column await firing in the kiln Richard McLean Shae Anderson, Antonio di Donato, Michelle Wayman, Tom Holdman, Dallin Orr, and Jordan Lee Ring (seated) inspect painted glass laid out for panel M-3 Richard McLean Antonio di Donato, Shae Anderson, Tom Holdman, Michelle Wayman, Dallin Orr, and Jordan Lee Ring (seated) inspect painted glass laid out for panel M-3 Richard McLean Previous Page of 40 Next Page Output Formats atom, csv, dc-rdf, dcmes-xml, json, omeka-json, omeka-xml, rss2
