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                <text>In many cultures, there is often a traditional motif of a Tree of Knowledge, or a Tree of Good and Evil. In the win- dow’s scene, there is a symbolic depiction of the creation of life through a blossoming of such a tree in a primavera stage, with human forms in the composition. The belief in a Divine Creation is as old as preserved human records, although the characteristics of deities differ from society to society, and the pair of human figures in the fetal position inside the tree represent the first man and woman.</text>
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                <text>In this window is a scene summarizing the prehistoric era of Earth history and the primitive stages of human development. Fossils, some depicted through glass and others being genuine artifacts sealed into the window, harken back to the planet’s Mesozoic Era. Among these depicted fossils are also hominid skulls in evolutionary sequence, visually conveying a transformation covering the time span of several million years. The main spectacle of this scene is a mammoth hunt, portraying humankind’s growing mastery over the Earth during the Stone Age.</text>
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                <text>“In the beginning. . .” is the introductory phrase inscribed in Hebrew at the bottom of this panel. Key to Dthe devel- opment of civilization was the written recording of language and its bequeathing transfer down through the ages. In this window is a collage of some of the earliest examples of written text: the Egyptian Book of the Dead, the Tablet of Gilgamesh, the Stele of Kilamu, Chinese oracle bones, and the Dead Sea Scrolls.</text>
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                <text>The evolution of humanity turned a corner by transitioning from a nomadic race of hunters and gatherers into a grounded civilization that planted and cultivated. This is evidenced by the Neolithic settlement of Catal Huyuk in southern Anatolia, depicted in the upper-left corner of the window. Making appearances in this window are staple crops from various societies around the world: rice, wheat, barley, potatoes, and maize.</text>
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                <text>Much of civilization’s ancient development occurred in the Fertile Crescent — a region encompassing Egypt’s Nile, the Levant, and Mesopotamia. For instance, the lower-left corner contains imagery and text from the Code of Hammurabi, a Babylonian legal code dating back to circa 1772 BC. Above the code is another famous relic of ancient text: the Rosetta Stone. This Egyptian stele is inscribed with a decree made in 196 BC by Ptolemy V, with the text written in three languages: Ancient Egyptian hieroglyphs, Demotic Egyptian, and Ancient Greek. After being redis- covered by the French Army in 1799, the Rosetta Stone opened a floodgate of archaeological research.</text>
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                <text>Great empires of the past are on the move in this window, with powerful rulers such as Cyrus the Great directing construction projects on some of the most massive buildings of the ancient world. Such buildings include the Great Ziggurat of Ur, a Neo-Sumerian step pyramid located in modern Iraq, and the Palace of Minos at the city of Knossos, center for Minoan society on the island of Crete.</text>
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                <text>Artifacts from the developing societies of the ancient world are captured in this scene: the bust of Egyptian Queen Nefertiti, a Hindu idol to exhibit the world’s oldest major religion, and a Greek statue depicting a discus thrower that represents the origins of the Olympic Games.</text>
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                <text>This window features material such as early keys and jade carvings, but the primary focus is on Confucius Fand his teachings. A philosopher from the Spring and Autumn period of Chinese history (c. 771–476 BC) who continues to influence followers to the present day, Confucius emphasized virtuous living, inner harmony, and ancestor veneration.</text>
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                <text>The Hanging Gardens of Babylon, one of the Seven Wonders of the Ancient World, sets the scene for this window. An ascending series of tiered gardens supported by brick columns, the structure is believed to have been built by Nebuchadnezzar II around 600 BC. To the right is the Holy Temple constructed by Solomon, King of the Unified Kingdom of Israel and Judah. This grand edifice crowned the city of Jerusalem and housed the Ark of the Covenant (also depicted in the window) but was destroyed by the Babylonians during an infamous siege, also ordered by Nebuchadnezzar II.</text>
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                <text>A theme found in this window is the passage of history and how knowledge is transferred from one generation to the next. At left is the Sun Stone, an elaborate solar disk carved in the fifteenth or sixteenth century, and discovered in 1790 during repairs in Mexico City Plaza, once the site of the Aztec capital. The motifs in this stone connect to creation myths, cataclysmic predictions, and Mesoamerican calendar systems.</text>
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                <text>Both the large structures and small artifacts exhibited in this window confirm the high levels of comparable knowledge shared among the ancients. For example, the edifice on the landscape is the Pyramid of the Sun in Teotihuacan, a construction not unlike the pyramids and ziggurats located in the Old World and used for similar purposes.</text>
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                <text>Recreated in stained glass is The School of Athens, one of a series of Vatican frescoes painted in the early 1500s by Renaissance artist Raphael. Regarded as a masterful interpretation of the Classical Age, the image is a gallery of the eminent Greek philosophers: Plato, Aristotle, Diogenes, etc. Raphael used himself and his peers, including Da Vinci and Michelangelo, as models for the philosophers, a trick the Holdman Studio artists emulated by using their own faces for the figures in the window.</text>
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                <text>The Classical Age reached a zenith with the Pax Romana, as evidenced by Pliny the Elder’s Naturalis Historia and the architectural designs for the marvel that was the Pantheon. There were, however, other proud offerings of advanced knowledge from other regions, such as the Bakhshali Manuscript, the oldest extant manuscript of Indian mathematics, and the mathematical constant of π, credited to Chinese mathematicians.</text>
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                <text>Although the period after Rome's fall is oft remembered as a dark age for Euopean history, in other parts of the world roots of knowledge thrived. The Byzantine Empire, ruled by Justinian and Theodora, oversaw in Constantinople the construction of the largest church in Christendom: Hagia Sophia. In the Middle East, the Islamic Golden Age flourished, leaving behind the Dome of the Rock in the sacred city of Jerusalem.</text>
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                <text>The setting for this window’s scene reflects the desctruction and ignorance that was widespread in Europe after the fall of the Roman Empire, but also depicts the illuminated individuals who selflessly devoted themselves to the preservation of knowledge and recovery of society. Among them is an anonymous Sri Lankan man faithfully producing the coveted cinnamon spice and the Venerable Bede, an eighth-century Anglo-Saxon monk and the “Father of English History.”</text>
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