<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3807">
    <dcterms:title><![CDATA[Terpsichora]]></dcterms:title>
    <dcterms:description><![CDATA[Sculpture of bronze Terpsichore, the muse of dance and dramatic chorus.]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="http://contentdm.uvu.edu/cdm/ref/collection/perm/id/56">CLICK HERE FOR HIGH RESOLUTION AND ADDITIONAL INFORMATION</a>]]></dcterms:source>
    <dcterms:rights><![CDATA[Woodbury Art Museum, 2013. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner(s). Works not in the public domain cannot be commercially exploited without permission of the copyright owner(s). Responsiblity for any use rests exclusively with the user.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/41">
    <dcterms:title><![CDATA[terracotta soldier figurine]]></dcterms:title>
    <dcterms:subject><![CDATA[terracotta, soldier, figurine, Japan, carving, Asia]]></dcterms:subject>
    <dcterms:description><![CDATA[Terracotta soldier figurine, 4&quot;.]]></dcterms:description>
    <dcterms:creator><![CDATA[Lyndon W. &amp; Margaret Ann Cook]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Utah Valley University]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/10410">
    <dcterms:title><![CDATA[Thank you note fom William Sederburg]]></dcterms:title>
    <dcterms:description><![CDATA[Thank you note fom William Sederburg to Bonner Richie, with note of donation.<br /><br /> <details style="border: 1px solid #ccc; padding: 10px; border-radius: 5px;"> <summary style="cursor: pointer; font-weight: bold;">Transcript</summary>
<p style="margin-top: 10px;">Bonner,<br /> Thanks for the donation of<br /> A subscription to the SANSTONE<br /> publication. I enjoyed the<br /> last month -<br /> Ben<br /> <br /> Sent to<br /> 1600 N Oak Lane<br /> PROVO UT 84604<br /> <br /> Dear President Sederburg,<br /> Bonner Ritchie has given you<br /> an 18-issue subscription to San-<br /> stone, beginning with the next issue,<br /> October 2004.<br /> We hope you will enjoy<br /> the magazine and of course,<br /> by letter to the editor Dan<br /> Wotherspoon, comment on<br /> articles of particular interest.<br /> Sincerely,<br /> Carol Quist<br /> for the staff<br /> 8 August 2004</p>
</details>]]></dcterms:description>
    <dcterms:source><![CDATA[William A. Sederburg papers (AR 105, Box: 1, Folder: 3)]]></dcterms:source>
    <dcterms:date><![CDATA[2004-08-05]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4370">
    <dcterms:title><![CDATA[The &quot;Cub Special 90&quot;]]></dcterms:title>
    <dcterms:creator><![CDATA[Piper Aircraft Corporation]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1947]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/10408">
    <dcterms:title><![CDATA[The 13th Annual J. Bonner Ritchie Dialogue on Peace and Justice Globalism and Your Future - The Crisis of Neoliberalism]]></dcterms:title>
    <dcterms:description><![CDATA[Archived event page from The 13th Annual J. Bonner Ritchie Dialogue on Peace and Justice Globalism and Your Future - The Crisis of Neoliberalism website. Captured by Archive-it, 2023-10-18.<br /><br /> <details style="border: 1px solid #ccc; padding: 10px; border-radius: 5px;" open=""> <summary style="cursor: pointer; font-weight: bold;">Transcript</summary>
<p style="margin-top: 10px;">hide You are viewing an archived web page collected at the request of Utah Valley University using Archive-It. This page was captured on 22:48:54 Oct 18, 2023, and is part of the Utah Valley University collection. The information on this web page may be out of date. See All versions of this archived page. Found 0 archived media items out of 0 total on this page. Metadata<br />Enable QA<br />This site was designed with the <br />.com<br /> website builder. Create your website today.<br />Start Now<br />Home<br />Agenda<br />Speakers<br />/<br />AGENDA<br />DAY ONE - MARCH 7TH<br />DAY TWO - MARCH 8TH<br />DAY THREE - MARCH 9TH<br />March 7 : CB 510</p>
<p></p>
<p>8:30 Introduction to Conference and Reports from Local NGOs</p>
<p></p>
<p>10:00 Leonardo Figueroa-Helland: Global Crises and Neoliberalism</p>
<p></p>
<p>11:30 Michael Minch: The Neoliberal Attack On Democracy</p>
<p></p>
<p>1:00 Jeff Torlina: What Neoliberalism Means for the US: Problems and Solutions</p>
<p></p>
<p>2:30 Patience Kabamba: Neoliberalism, Or the Fetishism of Merchandise</p>
<p>?</p>
<p>4:00 Q and A with Panel</p>
<p></p>
<p></p>
<p></p>
<p></p>
<p>?</p>
<p></p>
<p>March 8 : CB 510 &amp; 511</p>
<p></p>
<p>Details arriving soon</p>
<p></p>
<p></p>
<p></p>
<p></p>
<p></p>
<p></p>
<p></p>
<p></p>
<p></p>
<p>March 9 : CB 510 &amp; 511</p>
<p></p>
<p>10:00 Thomas Bretz: The Ecological Limitations of Neoliberal Subjectivity</p>
<p></p>
<p>11:30 Susan Merrill: Multinational Corporations, Globalization, and the Calculus of Civil Conflict</p>
<p></p>
<p>1:00 Abigail Perez Aguilera: The Global Crises of Gender Inequality: A Critical Perspective on Genderized Violence</p>
<p></p>
<p>2:30 Macleans Geo Jaja: Liberating Humanity from the Chains of Globalization’s Imperialism</p>
<p></p>
<p>4:00 Q and A with Panel</p>
<p><br />THE 13TH ANNUAL J. BONNER RITCHIE DIALOGUE ON PEACE AND JUSTICE<br />Globalism and YouR Future .The Crisis of neoliberalism<br /> <br /> <br /> <br /> <br />MARCH 7-9, 2017 <br />SPEAKERS<br />Abigail Perez Aguilera<br /> Westminster College, Salt Lake City</p>
<p>-Abigail Pérez Aguilera (PhD, 2016) researches and writes about contemporary Indigenous movements, literature written by women of color and its connections to environmental social movements, forced displacement, gender violence, and global politics. Her most recent work appears in Ecocriticism and Indigenous Studies: Conversations from Earth to Cosmos (ed. Joni Adamson and Salma Monani; Routledge, 2017). She co-organized the recently created Special Interest Group at ASLE on Indigenous Ecocriticism. In the Summer of 2016 she traveled to Peru and Bolivia to conduct field research and establish connections and relationships with different organizations, universities, and environmental justice activists. In the future, she plans to establish a study abroad experience for students at Westminster College. She is currently working on a translation of poetry and short stories by indigenous women in Mexico and Guatemala.</p>
<p></p>
<p>Jeff Torlina<br /> Associate Professor of Sociology Behavioral Science Department</p>
<p></p>
<p>-Jeff Torlina is Associate Professor of Sociology in the Behavioral Science Department. His Ph.D. is from the State University of New York at Albany in 2003. Jeff has wide-ranging interests and specializes in structured inequality, work, ideology, and theory. A motivating theme across all his research, which is ethnographic and qualitative, is a challenge to prevailing ideologies and theories which devalue members of disadvantaged groups. Jeff teaches courses on political economy, social movements, work and occupations, gender, race, education, theory, agriculture and food systems, and several other subjects. He is a member of the Association for Humanist Sociology, the Working Class Studies Association, the Rural Sociological Society, and the Pacific Sociological Association. Before joining the faculty at UVU Jeff was a construction worker and the owner/operator of a small country store in the Hudson River Valley of New York State with his wife Cathy. He grew up in the Detroit area, and his hobbies involve the outdoors and food cultivation.</p>
<p><br />Leonardo Figueroa-Helland<br /> Chair and Professor of Politics, Justice, and Global Studies at Westminster College, Salt Lake City</p>
<p></p>
<p>-Dr. Figueroa-Helland is Chair and Professor of Politics, Justice, and Global Studies at Westminster College (Salt Lake City, Utah). His research focuses on critical global studies and international relations, global political ecology, decolonial studies, indigenous cosmopolitics, and world systems analysis. He has published and co-authored in journals across different disciplines such as Interventions: International Journal of Postcolonial Studies, the UNESCO Journal of Higher Education and Society (co-authored with Abigail Perez Aguilera), and the Journal of Critical Education and Policy Studies (with Abigail Perez Aguilera). His latest articles are forthcoming in the journal Studies in 20th &amp; 21st Century Literature (STTCL), the Journal of World Systems Research, Perspectives on Global Development and Technology, and in the edited volume Social Movements and World-System Transformation which will contain his most recent article titled “Indigeneity vs. ‘Civilization’: Indigenous Alternatives to the Planetary Rift”. Dr. Figueroa-Helland has presented his research at different institutions and conferences throughout North and Central America as well as Europe, such as the Political Economy of World Systems Conference, the International Studies Assoc. Conference, the Global Studies Association Conference, the Mexican Assoc. of International Studies Conference, the American Indian Studies Assoc. Conference, the Critical Ethnic Studies Assoc. Conference, the Ethnicity, Race &amp; Indigenous Peoples Conference of the Latin American Studies Assoc., among others. He obtained his PhD in 2012 from the School of Politics &amp; Global Studies at Arizona State University, where he graduated with “distinction” for his dissertation on Indigenous Philosophy and World Politics which he is currently transforming into a book manuscript.</p>
<p><br />MacLeans A. Geo-Jaja<br /> Professor of Economics and Education, Brigham Young University</p>
<p></p>
<p>-Macleans A. Geo-JaJa is Professor of Economics and Education at Brigham Young University, where he directs the Research Program in Rights in Education, Capabilities Deprivation, and Right to Development. He is currently a Fulbright Senior Specialist Fellow and a Visiting Research Professor at Zhejiang Normal University, china. He is a member of the Advisory Council of the Nigerian Think Tank and on numerous journal editorial boards, including the editorial consulting board of International Review of Education a UNESCO journal. Co-author with Majhanovich, Suzanne, on Economics, Aid, and Education; Implication for Development for Development; co-editor with Shizhou Lou; and Yong Y.; of Education, Poverty, and Development in sub-Saharan Africa; co-editor with Majhanovich, Suzanne, of Education, Language and Economics: Growing National and Global Dilemmas; and the Politics of Education Reforms: Globalization, Comparative Education and Policy Research. Professor Geo-JaJa is author or co-author of significant tier one journal articles, and numerous book chapters and others on education and development in Africa.</p>
<p></p>
<p>Michael Minch<br /> Professor of Philosophy, and Peace and Justice Studies at Utah Valley University. Director, Summit: The Sustainable Mountain Development and Conflict Transformation Global Knowledge and Action Network</p>
<p></p>
<p>-Dr. Minch is the founder and director of The Summit Knowledge and Action Network. He is a professor of Political Philosophy at Utah Valley University. He helped found the Peace and Justice Studies Program at UVU, and was its first director for 12 years, stepping down in 2016 to devote more time to Summit. He does research and writes in a wide set of fields, including democratic theory, peacebuilding theory, theories of justice, and reconciliation, and theology. He is now working on a book on the relationship between democracy, morality, and peace that goes beyond conventional democratic peace theory literature. He also does research, teaching, and peacebuilding work in Northern Ireland, Haiti, the Balkans, West Africa, and Russia. Minch is on the Board of Directors of the Peace and Justice Studies Association and the Global Peace Education Forum</p>
<p><br />Patience Kabamba<br /> Assistant Professor of Anthropology, Utah Valley University</p>
<p></p>
<p>- From the Democratic Republic of the Congo, Dr. Kabamba earned his Master’s in Development Studies from the University of Durban (South Africa) after his Bachelor’s degree in Philosophy from the Jesuit School of Philosophy in Paris. In addition, he has a Master’s degree in Philosophy from Catholic University in Leuven, Belgium, and a Ph.D. in Socio-Cultural Anthropology from Columbia University. He has taught at leading universities around the world, and worked for the United Nations Development Programme and the World Bank in various countries in sub-Saharan Africa. He is an expert in conflict, development, and governance in Africa. He is now at Utah Valley University.</p>
<p></p>
<p>Susan Merrill<br /> Peace and Justice Studies, Utah Valley University</p>
<p></p>
<p>- Ms. Merrill is an academic and a peacebuilder. She taught at the US Peacekeeping and Stability Operations Institute, US Army War College; where she also served as Senior Governance Advisor (2007-2009); at the USAWC, she also served as the USAID Professor (2005-2006). Merrill also taught at the Command and General Staff College, Marine Corps, Quantico, Virginia (2006-2007); and for the International Resources Group (2007). She was the Senior Governance Advisor to USAID/Iraq-Baghdad, January-April, 2007; and the Mission Director, Office of General Development, USAID in Cambodia, 2003-2005. She has served in other senior management positions for USAID in Jamaica, Nicaragua, Liberia, El Salvador, Bosnia, and Iraq, serving in over 30 countries in Africa, the Middle East, Asia, and Latin America. She is Chief of Party, The Mitchell Group, and has run Evaluation and Analytical Services Projects for USAID in various African locations. She directs a $9.0 million project in West Africa, conducting research in democracy, governance, violence, extremism, gender, and peacebuilding. Merrill also teaches at Utah Valley University.</p>
<p>Thomas Bretz<br /> Assistant Professor of Environmental Philosophy, Utah Valley University</p>
<p><br />-Thomas Bretz is assistant professor for environmental philosophy at Utah Valley University. He received his PhD in philosophy at Loyola University Chicago where he wrote his dissertation on Derrida’s contributions to environmental philosophy. He is currently working on the possibility of developing social and ethical relationships with non-human beings.</p>
<p><br />During the 1980s, the reaction against global liberation movements began to consolidate. Over the next three decades, as market powers expanded, democracy was diminished and destroyed. The privatizing agenda and growing power of capitalist market power that accompanied these reactive forces has a name. It is Neoliberalism.</p>
<p>JOIN OUR MAILING LIST</p>
<p>Email Address</p>
<p>Subscribe Now<br />© 2023 by Networking Talks. Proudly created with Wix.com</p>
<p>Back to Top</p>
</details>]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="https://wayback.archive-it.org/3545/20231018224854/https://nblogan896.wixsite.com/peaceandjustice" title="Link to Resource">https://wayback.archive-it.org/3545/20231018224854/https://nblogan896.wixsite.com/peaceandjustice</a>]]></dcterms:source>
    <dcterms:date><![CDATA[2017-03-07]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4372">
    <dcterms:title><![CDATA[The 1949 Piper Vagabond]]></dcterms:title>
    <dcterms:creator><![CDATA[Piper Aircraft Corporation]]></dcterms:creator>
    <dcterms:date><![CDATA[1949]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4356">
    <dcterms:title><![CDATA[The Air Fleet of American Business]]></dcterms:title>
    <dcterms:creator><![CDATA[Beech Aircraft Corporation]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1948]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3907">
    <dcterms:title><![CDATA[The airbrush station, where containers of paint and alcohol are kept between uses<br />
]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/9923">
    <dcterms:title><![CDATA[The Amphitheater in American Fork]]></dcterms:title>
    <dcterms:description><![CDATA[The Amphitheater in American Fork was part of the Utah State Training School, built of stone by the Works Progress Administration in 1936. The amphitheater and wall were jointly added to the National Register of Historic Places October 7, 1994.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3878">
    <dcterms:title><![CDATA[The approved template was printed onto a big sheet of paper]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3659">
    <dcterms:title><![CDATA[The Artist in his Studio]]></dcterms:title>
    <dcterms:description><![CDATA[Birds eye view of the artist in his studio.]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="http://contentdm.uvu.edu/cdm/ref/collection/woodbury/id/64">CLICK HERE FOR HIGH RESOLUTION AND ADDITIONAL INFORMATION</a>]]></dcterms:source>
    <dcterms:rights><![CDATA[Woodbury Art Museum, 2013. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner(s). Works not in the public domain cannot be commercially exploited without permission of the copyright owner(s). Responsiblity for any use rests exclusively with the user.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4357">
    <dcterms:title><![CDATA[The Beechcraft Bonanza]]></dcterms:title>
    <dcterms:creator><![CDATA[Beech Aircraft Corporation]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1947]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4368">
    <dcterms:title><![CDATA[The Bellanca Cruisair]]></dcterms:title>
    <dcterms:creator><![CDATA[Hans Groenhoff]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Bellanca Aircraft Corporation]]></dcterms:publisher>
    <dcterms:date><![CDATA[circa 1946]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4358">
    <dcterms:title><![CDATA[The Bellanca Cruisair: Price List]]></dcterms:title>
    <dcterms:creator><![CDATA[Bellanca Aircraft Corporation]]></dcterms:creator>
    <dcterms:date><![CDATA[1949]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3808">
    <dcterms:title><![CDATA[The Collector]]></dcterms:title>
    <dcterms:description><![CDATA[Painting of large man sitting with art surrounding him.]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="http://contentdm.uvu.edu/cdm/ref/collection/perm/id/121">CLICK HERE FOR HIGH RESOLUTION AND ADDITIONAL INFORMATION</a>]]></dcterms:source>
    <dcterms:rights><![CDATA[Woodbury Art Museum, 2013. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner(s). Works not in the public domain cannot be commercially exploited without permission of the copyright owner(s). Responsiblity for any use rests exclusively with the user.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4080">
    <dcterms:title><![CDATA[The crew working in &quot;Beast Mode&quot; to complete the windows on time (1)]]></dcterms:title>
    <dcterms:creator><![CDATA[August Miller]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4081">
    <dcterms:title><![CDATA[The crew working in &quot;Beast Mode&quot; to complete the windows on time (2)]]></dcterms:title>
    <dcterms:creator><![CDATA[August Miller]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4334">
    <dcterms:title><![CDATA[The Famous Piper Cub]]></dcterms:title>
    <dcterms:creator><![CDATA[Piper Aircraft Corp.]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1947]]></dcterms:date>
    <dcterms:format><![CDATA[leaflet]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3809">
    <dcterms:title><![CDATA[The Gate]]></dcterms:title>
    <dcterms:description><![CDATA[Painting of barbed wire fence and open gate with wheat field with distant mountain range.]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="http://contentdm.uvu.edu/cdm/ref/collection/perm/id/147">CLICK HERE FOR HIGH RESOLUTION AND ADDITIONAL INFORMATION</a>]]></dcterms:source>
    <dcterms:rights><![CDATA[Woodbury Art Museum, 2013. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner(s). Works not in the public domain cannot be commercially exploited without permission of the copyright owner(s). Responsiblity for any use rests exclusively with the user.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/234">
    <dcterms:title><![CDATA[The Japanese in Our Midst]]></dcterms:title>
    <dcterms:description><![CDATA[16 pages]]></dcterms:description>
    <dcterms:creator><![CDATA[Colorado Council of Churches (Japanese Services)]]></dcterms:creator>
    <dcterms:source><![CDATA[Utah Valley University]]></dcterms:source>
    <dcterms:date><![CDATA[1943]]></dcterms:date>
    <dcterms:format><![CDATA[jpeg]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3925">
    <dcterms:title><![CDATA[The leading process (1)]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3926">
    <dcterms:title><![CDATA[The leading process (2)]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3927">
    <dcterms:title><![CDATA[The leading process (3)]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3928">
    <dcterms:title><![CDATA[The leading process (4)]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3930">
    <dcterms:title><![CDATA[The leading process (5)]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3931">
    <dcterms:title><![CDATA[The leading process (6)]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3936">
    <dcterms:title><![CDATA[The lyrics to the sea shanty “Padstow’s Farewell”]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4328">
    <dcterms:title><![CDATA[The Martin 2-0-2]]></dcterms:title>
    <dcterms:creator><![CDATA[Glenn L. Martin Company]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1947]]></dcterms:date>
    <dcterms:format><![CDATA[booklet]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3899">
    <dcterms:title><![CDATA[The paint room, where artists paint pieces of glass that have been placed on lightboards for best visibility]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3906">
    <dcterms:title><![CDATA[The Photoshop layouts of columns T &amp; V hang in the paint room, referred to by the artists when painting the glass]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/4363">
    <dcterms:title><![CDATA[The Piper Stinson for &#039;49]]></dcterms:title>
    <dcterms:creator><![CDATA[Piper Aircraft Corporation]]></dcterms:creator>
    <dcterms:date><![CDATA[1949]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3911">
    <dcterms:title><![CDATA[The public gallery at Holdman studios, being utilized as an annex to the paint room (In order to meet the completion deadline, the studio hired people to work around the clock to finish the windows on time)]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/9910">
    <dcterms:title><![CDATA[The Residents Who Worked the Crops]]></dcterms:title>
    <dcterms:description><![CDATA[With supervision from farm attendants, the residents who worked the crops accomplished a great deal, further supporting the institution.  Residents who were thought best suited to farm work, handled stock as well as cultivating the land.]]></dcterms:description>
    <dcterms:source><![CDATA[Utah State Training School 4th Biennial Report 1938]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3810">
    <dcterms:title><![CDATA[The Sacrifice]]></dcterms:title>
    <dcterms:description><![CDATA[Print of upside down tree nailed to wall.]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="http://contentdm.uvu.edu/cdm/ref/collection/perm/id/113">CLICK HERE FOR HIGH RESOLUTION AND ADDITIONAL INFORMATION</a>]]></dcterms:source>
    <dcterms:rights><![CDATA[Woodbury Art Museum, 2013. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner(s). Works not in the public domain cannot be commercially exploited without permission of the copyright owner(s). Responsiblity for any use rests exclusively with the user.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/165">
    <dcterms:title><![CDATA[The State Float [Queen Utah and Maids of Honor - Utah State by S.T. Whitaker] (24)]]></dcterms:title>
    <dcterms:description><![CDATA[Photograph of a parade float titled &quot;The State Float,&quot; taken during the 50 Year Utah Jubilee Parade, 24 July 1897, Salt Lake City, Utah.]]></dcterms:description>
    <dcterms:creator><![CDATA[Charles Ellis Johnson]]></dcterms:creator>
    <dcterms:source><![CDATA[AR 950CJr Lyndon W. Cook, Jr. collection of Utah and Illinois historic images]]></dcterms:source>
    <dcterms:publisher><![CDATA[George Sutherland Archives at Utah Valley University]]></dcterms:publisher>
    <dcterms:date><![CDATA[24 July 1897]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright for official University records is held by Utah Valley University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/217">
    <dcterms:title><![CDATA[The Stream of Time (68)]]></dcterms:title>
    <dcterms:description><![CDATA[Photograph of a parade float titled &quot;The Stream of Time,&quot; taken during the 50 Year Utah Jubilee Parade, 24 July 1897, Salt Lake City, Utah.]]></dcterms:description>
    <dcterms:creator><![CDATA[Charles Ellis Johnson]]></dcterms:creator>
    <dcterms:source><![CDATA[AR 950CJr Lyndon W. Cook, Jr. collection of Utah and Illinois historic images]]></dcterms:source>
    <dcterms:publisher><![CDATA[George Sutherland Archives at Utah Valley University]]></dcterms:publisher>
    <dcterms:date><![CDATA[24 July 1897]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright for official University records is held by Utah Valley University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/222">
    <dcterms:title><![CDATA[The Stream of Time (73a)]]></dcterms:title>
    <dcterms:description><![CDATA[Photograph of a parade float titled &quot;The Stream of Time,&quot; taken during the 50 Year Utah Jubilee Parade, 24 July 1897, Salt Lake City, Utah.]]></dcterms:description>
    <dcterms:creator><![CDATA[Charles Ellis Johnson]]></dcterms:creator>
    <dcterms:source><![CDATA[AR 950CJr Lyndon W. Cook, Jr. collection of Utah and Illinois historic images]]></dcterms:source>
    <dcterms:publisher><![CDATA[George Sutherland Archives at Utah Valley University]]></dcterms:publisher>
    <dcterms:date><![CDATA[24 July 1897]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright for official University records is held by Utah Valley University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3885">
    <dcterms:title><![CDATA[The traced layout for panel K-1, ready for pieces of colored glass to be laid out]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3886">
    <dcterms:title><![CDATA[The traced layout for panel M-2 on a table, ready for pieces of colored glass to be laid out]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3884">
    <dcterms:title><![CDATA[The traced layout for panel O-2 rests on a lightboard, ready for pieces of colored glass to be laid out]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/9908">
    <dcterms:title><![CDATA[The Training Farm]]></dcterms:title>
    <dcterms:description><![CDATA[The training farm, fully equipped with milking machines and a pasteurizing plant, gave valuable occupational training for the students. The facility also provided milk and beef to be used by the Utah State Training school. Enough hay and corn fodder were raised on the farm to feed the dairy and beef herds.]]></dcterms:description>
    <dcterms:source><![CDATA[Utah State Training School 13th Biennial Report 1965]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/9911">
    <dcterms:title><![CDATA[The Utah State Training School]]></dcterms:title>
    <dcterms:description><![CDATA[The Utah State Training School was built on Featherstone Bench of north east American Fork, Utah. With admissions starting October 5, 1931, the population rapidly grew to full capacity. At the outset, there were two dormitories. Males and females were housed in separate buildings, with the older residents living separately from the younger residents.]]></dcterms:description>
    <dcterms:source><![CDATA[Utah State Training School 4th Biennial Report 1938]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3811">
    <dcterms:title><![CDATA[The Wrestlers]]></dcterms:title>
    <dcterms:description><![CDATA[Sculpture of bronze male figures wrestling.]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="http://contentdm.uvu.edu/cdm/ref/collection/perm/id/101">CLICK HERE FOR HIGH RESOLUTION AND ADDITIONAL INFORMATION</a>]]></dcterms:source>
    <dcterms:rights><![CDATA[Woodbury Art Museum, 2013. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner(s). Works not in the public domain cannot be commercially exploited without permission of the copyright owner(s). Responsiblity for any use rests exclusively with the user.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/235">
    <dcterms:title><![CDATA[These Displaced Japanese-Americans]]></dcterms:title>
    <dcterms:description><![CDATA[23 pages]]></dcterms:description>
    <dcterms:creator><![CDATA[American Council on Public Affairs]]></dcterms:creator>
    <dcterms:source><![CDATA[Utah Valley University]]></dcterms:source>
    <dcterms:date><![CDATA[Circa 1944]]></dcterms:date>
    <dcterms:format><![CDATA[jpeg]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/237">
    <dcterms:title><![CDATA[They Work for Victory: The Story of Japanese Americans and the War Effort]]></dcterms:title>
    <dcterms:description><![CDATA[36 pages]]></dcterms:description>
    <dcterms:creator><![CDATA[The Japanese American Citizens League]]></dcterms:creator>
    <dcterms:source><![CDATA[Utah Valley University]]></dcterms:source>
    <dcterms:date><![CDATA[Circa 1945]]></dcterms:date>
    <dcterms:format><![CDATA[jpeg]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3883">
    <dcterms:title><![CDATA[Tim Trent &amp; Preston Powell prepare a sheet of plate glass to be used for tracing the lines of a window design]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3923">
    <dcterms:title><![CDATA[Tim Trent inserts a shaped steel support to be soldered to the window for added support]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3921">
    <dcterms:title><![CDATA[Tim Trent shapes a steel support to be soldered to the window for added support (The machine came from a candy company &amp; was used to shape cookie cutters and candy molds) (1)]]></dcterms:title>
    <dcterms:creator><![CDATA[Catherine McIntyre]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3922">
    <dcterms:title><![CDATA[Tim Trent shapes a steel support to be soldered to the window for added support (The machine came from a candy company &amp; was used to shape cookie cutters and candy molds) (2)]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard McLean]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://omeka.uvu.edu/items/show/3812">
    <dcterms:title><![CDATA[Timpanogos Last Light]]></dcterms:title>
    <dcterms:description><![CDATA[Painting of Mount Timpanogos in winter.]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="http://contentdm.uvu.edu/cdm/ref/collection/perm/id/60">CLICK HERE FOR HIGH RESOLUTION AND ADDITIONAL INFORMATION</a>]]></dcterms:source>
    <dcterms:rights><![CDATA[Woodbury Art Museum, 2013. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner(s). Works not in the public domain cannot be commercially exploited without permission of the copyright owner(s). Responsiblity for any use rests exclusively with the user.]]></dcterms:rights>
</rdf:Description></rdf:RDF>
