Browse Items (232 total) Browse All Browse by Tag Search Items Collection: Roots of Knowledge Previous Page of 5 Next Page Sort by: TitleCreatorDate Added The leading process (3) Richard McLean The leading process (2) Richard McLean The leading process (1) Richard McLean Cameron Oscarson, Richard McLean (UVU), and Tom Holdman watch Tim Trent insert a steel support in place Catherine McIntyre Tim Trent inserts a shaped steel support to be soldered to the window for added support Richard McLean Tim Trent shapes a steel support to be soldered to the window for added support (The machine came from a candy company & was used to shape cookie cutters and candy molds) (2) Richard McLean Tim Trent shapes a steel support to be soldered to the window for added support (The machine came from a candy company & was used to shape cookie cutters and candy molds) (1) Catherine McIntyre Irina Harding, Michelle Wayman, Mary Evans, and Tom Holdman add the remaining pieces of finished glass to panel U-3 Richard McLean Antonio di Donato and Katie Christiansen examine the finished glass pieces for panel K-3 Richard McLean Tom Holdman inspects the glass for panel M-3 Richard McLean Antonio di Donato, Shae Anderson, Tom Holdman, Michelle Wayman, Dallin Orr, and Jordan Lee Ring (seated) inspect painted glass laid out for panel M-3 Richard McLean Shae Anderson, Antonio di Donato, Michelle Wayman, Tom Holdman, Dallin Orr, and Jordan Lee Ring (seated) inspect painted glass laid out for panel M-3 Richard McLean Pieces of painted glass for the Q column await firing in the kiln Richard McLean Artist Julie Ann Allen paints glass that will become part of the T column Richard McLean An artist writes the letters of advertisement posters on the Parisian kiosk, panel U-3 Richard McLean Artist Jordan Lee Ring paints pieces of glass depicting birds for panel N-2 Richard McLean The public gallery at Holdman studios, being utilized as an annex to the paint room (In order to meet the completion deadline, the studio hired people to work around the clock to finish the windows on time) Richard McLean An artist at a miniature lightboard uses paint mixed with oil to add lines on glass for panel M-1 Artist Natalie Smith works on the portraits for the Founding Fathers featured in panel Q-3 Richard McLean Artist Joshua Wirtz uses an airbrush to apply a coat of paint to a piece of glass Richard McLean The airbrush station, where containers of paint and alcohol are kept between uses Richard McLean The Photoshop layouts of columns T & V hang in the paint room, referred to by the artists when painting the glass Richard McLean Artist Jordan Lee Ring uses Reusche paint to paint the Karlskirche (St. Charles Church) in Vienna on glass, while looking at its Photoshop image for visual aid Richard McLean An artist paints details of buildings with Reusche paint on glass pieces for panel O-2 Richard McLean Artist Irina Harding applies Reusche paint for a portrait of Benjamin Franklin for panel Q-3 Richard McLean Artists Kaitlund Zupanic (background center) and Brianna Cooper (foreground) apply Reusche paint to glass pieces Richard McLean Artist Antonio di Donato paints a portrait of Marco Polo in Reusche paint for panel M-2 Richard McLean Artist Antonio di Donato shows his sketch of a man pouring molten metal, used as a reference for painting the glass for panel H-3 Richard McLean The paint room, where artists paint pieces of glass that have been placed on lightboards for best visibility Richard McLean Raw colored and textured glass laid on panel templates (4) Richard McLean Raw colored and textured glass laid on panel templates (3) Richard McLean Tom Holdman, T. J. Holdman, and Kerry Transtrum discuss options for fused glass to create the planets seen in the Roots of Knowledge windows Richard McLean Raw colored and textured glass laid on panel templates (2) Richard McLean Raw colored and textured glass laid on panel templates (1) Richard McLean Trevor Petersen, Tom Holdman, and T. J. Holdman view the layout of colored and painted glass Richard McLean Josh Butz grinds down a piece of glass to smooth the edges and help it fit more easily Richard McLean Bryce Johnson cuts glass, sticker paper visible Richard McLean Nathan Hatton grinds glass on a lightboard Richard McLean Choosing glass colors (2) Richard McLean Daniel Bradford unloads a sheet of raw glass Richard McLean Choosing glass colors (1) Richard McLean The traced layout for panel M-2 on a table, ready for pieces of colored glass to be laid out Richard McLean The traced layout for panel K-1, ready for pieces of colored glass to be laid out Richard McLean The traced layout for panel O-2 rests on a lightboard, ready for pieces of colored glass to be laid out Richard McLean Tim Trent & Preston Powell prepare a sheet of plate glass to be used for tracing the lines of a window design Richard McLean Martha Denzer peels the pattern off a vinyl sticker layout sheet (2) Richard McLean Martha Denzer peels the pattern off a vinyl sticker layout sheet (1) Richard McLean Vinyl sticker layout sheet Richard McLean Shapes outlined with colored markers Richard McLean The approved template was printed onto a big sheet of paper Richard McLean Previous Page of 5 Next Page Output Formats atom, csv, dc-rdf, dcmes-xml, json, omeka-json, omeka-xml, rss2
