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                <text>From the 1950s onward, populations moved away from the crowded urban centers and settled in the more spacious and friendlier suburbs. This window’s scene is a suburban home filled by increasingly sophisticated appliances and consumer goods in demand by a prospering economy: color televisions, refrigerators, electric guitars, audio recorders, and video game consoles.</text>
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                <text>Taking center stage in this atrium is Johannes Gutenberg’s printing press, a seminal creation that introduced printing to Europe, with the German inventor holding a fresh page of the Book of Isaiah from the Holy Bible. Meanwhile, the Renaissance artist Michelangelo chips away marble to create his masterpiece David, and the Protestant Reformation ignites with Martin Luther nailing his Ninety-five Theses to the doors of All Saints’ Church.</text>
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                <text>Although the period after Rome's fall is oft remembered as a dark age for Euopean history, in other parts of the world roots of knowledge thrived. The Byzantine Empire, ruled by Justinian and Theodora, oversaw in Constantinople the construction of the largest church in Christendom: Hagia Sophia. In the Middle East, the Islamic Golden Age flourished, leaving behind the Dome of the Rock in the sacred city of Jerusalem.</text>
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                <text>The Classical Age reached a zenith with the Pax Romana, as evidenced by Pliny the Elder’s Naturalis Historia and the architectural designs for the marvel that was the Pantheon. There were, however, other proud offerings of advanced knowledge from other regions, such as the Bakhshali Manuscript, the oldest extant manuscript of Indian mathematics, and the mathematical constant of π, credited to Chinese mathematicians.</text>
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                <text>Various forms of record keeping employed around the world appear in this window. Very telling is the stone stelae, known as Izapa Stelae 5 or the Tree of Life, a slab discovered in Mexico dating to between 300 BCE and 300 CE, and depicting what could be interpreted as a Mesoamerican take on the creation story. In the lower-right left corner is the Julian Calendar, devised in 46 BCE by Julius Caesar; this dating system organized a regular year into 12 months and 365 days.</text>
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                <text>While an early cataract surgery from India takes place in the foreground, a performance of Greek tragedy is held in this window. In the treatise Poetics, the earliest surviving work of dramatic theory (c. 335 BCE), Aristotle laid out six elements to tragedy, starting with the most important: mythos (plot), ethos (character), dianoia (thought), lexis (diction), melos (melody), and opsis (spectacle). These elements are spelled out on the ring surrounding the stage.</text>
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                <text>Both the large structures and small artifacts exhibited in this window confirm the high levels of comparable knowledge shared among the ancients. For example, the edifice on the landscape is the Pyramid of the Sun in Teotihuacan, a construction not unlike the pyramids and ziggurats located in the Old World and used for similar purposes.</text>
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                <text>A theme found in this window is the passage of history and how knowledge is transferred from one generation to the next. At left is the Sun Stone, an elaborate solar disk carved in the fifteenth or sixteenth century, and discovered in 1790 during repairs in Mexico City Plaza, once the site of the Aztec capital. The motifs in this stone connect to creation myths, cataclysmic predictions, and Mesoamerican calendar systems.</text>
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                <text>The Hanging Gardens of Babylon, one of the Seven Wonders of the Ancient World, sets the scene for this window. An ascending series of tiered gardens supported by brick columns, the structure is believed to have been built by Nebuchadnezzar II around 600 BC. To the right is the Holy Temple constructed by Solomon, King of the Unified Kingdom of Israel and Judah. This grand edifice crowned the city of Jerusalem and housed the Ark of the Covenant (also depicted in the window) but was destroyed by the Babylonians during an infamous siege, also ordered by Nebuchadnezzar II.</text>
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